Related Paintings of unknow artist :. | prins albert yngste sonen till hertigen av sachsen coburg gotha | Sexy body, female nudes, classical nudes 110 | Portrait of Vittorio Alfieri | Seascape, boats, ships and warships. 45 | Arab or Arabic people and life. Orientalism oil paintings 297 |
Related Artists:
OSTADE, Isaack van
Dutch Baroque Era Painter, 1621-1649
Alfred Edward Emslie
Alfred Edward Emslie (1848 London -1918) was an English genre and portrait painter, and photographer, living at The Studio, 34, Finchley Road, N. W. He was the son of the engraver, John Emslie, and brother of John Phillipps Emslie, the figure painter. Married to miniature painter Rosalie M. Emslie, they had a daughter, Rosalie Emslie, who became a figure, portrait and landscape painter. Emslie turned increasingly to portraiture later in life. He had a great passion for the Orient, and spent three months exploring Japan. He was a elected an associate of the Royal Society of Painters in Water Colours in 1888 and a member of the Royal Society of Portrait Painters in 1892.
Thomas Beach
British Painter, 1738-1806,English painter. He studied with Joshua Reynolds from 1760 until early in 1762, during which time he was also a student at the St Martin's Lane Academy, London. He probably settled in Bath; his recorded portraits of the 1760s are all of sitters from Dorset or Somerset, and he sent two portraits from an address in Bath to the Society of Artists exhibition of 1772. He exhibited with the Society until 1783, becoming its vice-president (1782) and president (1783) he also exhibited at the Royal Academy (1785-90, 1797). He probably divided his mature practice between London and Bath. His early reliance on Reynolds's ideas of propriety gave way to a more direct approach, seen at its best in such group portraits as The Stapleton Family (1789; U. Bath, Holburne of Menstrie Mus.). In this work, the four children are shown in costume, as a fortune-teller and her customers. The theatrical element in Beach's work, reflecting his interest in the stage, is seen most strikingly in Sarah Siddons and John Philip Kemble in 'Macbeth' Act 2, Scene ii (1786; London, Garrick Club). Beach's diary for 1798, the only one to have survived, chronicles what appears to have been an annual tour of the west country; that year he completed 31 portraits between June and December. Beach was able to capture a strong likeness and this, despite a certain naivety and awkwardness in composition, was enough to establish his reputation in moderately fashionable provincial circles. His last recorded work is a Self-portrait